
A striking
exhibition of seascape paintings by a collection of
exceptional British Artists from around the country:
Jo Booth BA (Hons)
Gareth Buxton
Helen Jones
Willow Cairn BA
(Hons)
Needhams
Restaurant
186 Main Street, Witchford,
Ely, Cambridgeshire CB6 2HT
25th January to 21st March 2007




Jo Booth's landscapes possess a remarkable
informality, a sense of freedom that liberates the
viewer, momentarily. But above all, they are simple,
honest representations of the natural world. Booth is
clearly besotted with the strikingly beautiful landscapes
near her home in south west England. She paints the
beauty, the space, the sense of occasion, even the
possibilities that she sees before her, without resorting
to photo-realism to get that message across. The sea, the
sky, the rocks, the sand- all the obvious elemental
players are there, so superbly abbreviated, but still in
all their inherent glory. An accomplished Collographer,
Booth revels in the simplicity of this printing method,
with impressive results. A degree in Geography obviously
adds a valuable dimension to the landscape Artist and
Booth certainly makes the most of her two passions of Art
and Geography.
Helen Jones began painting, for the first time since childhood, in order to deal with the boredom and isolation of her relocation to Northamptonshire in 2002. Since then, the practice of painting has become so much more important, rebuilding Helen's confidence and, perhaps more significantly, providing an outlet for a particularly distressing chidbirth experience. Now, as a mother of two small children, Helen can't stop painting and experimenting and has developed her skills significantly in a few short years. Her land and seascapes betray a lingering sense of isolation. You can almost hear Jones willing the storm to pass. In several paintings it does pass and you feel the same sense of relief that Helen must feel as she paints.
The intriguing Artist & mother of three, Willow Cairn, based in East Kent, produces an eclectic range of work for her portfolio, and quite sporadically so. Her painting practices seem to revolve around periods in her life when she needs to process certain stressful situations, scenarios or events. The recurring motif, running throughout much of her work, is the spiral or vortex. One gets the impression that Cairn frequently feels as though she is being consumed by a whirlpool or tornado, the symbol features so often. It's as if the process of painting these vortices is a way of gaining control over the course of her life.
